Very much rooted in the sludgy swamp metal of Down and Crowbar, there’s also a heavy influence of Southern and stoner rock about White Light Cemetery.

A years-long labor of love helps save a key piece of musical, not political, history.

There have been times in the recent history of jazz when I thought that the MuseumAuthority™ would win out. You May Also Like: Ben Monder, Tony Malaby + Tom Rainey – ‘Live At the 55 Bar’ (2021) David Ake – Humanities (2018)

Smaller scale than your average Squeeze single, though no less charming, Glenn Tilbrook’s “Everybody Sometimes” doesn’t try to do too much You May Also Like: No related posts.

If straight-up mainstream jazz is what you crave, you can’t go wrong with Ralph Bowen. Standard Deviation is a solid execution of the form from beginning to end.

“Sweet Amarillo” brings Old Crow Medicine Show back to their roots, while reminding us of what country music used to be – and what it could be again.

Natalie Merchant offers an album full of distilled thoughts, easily the most intense collection of her solo career.

A kick directly into the ass, Garbage’s “Girls Talk” finds Shirley Manson building — with teeth-clinched menace — toward a furious howl.

Aerosmith’s ‘Rocks’ is a contender for best album in their catalog, so why mess with it? The answer is actually another question.

Charlotte Kemp Muhl and Sean Lennon’s Ghost of A Saber Tooth Tiger offered a revealing cover tune during a stop at a New York City radio station.