Issued decades ago now, Yes’ ‘Talk’ remains widely dismissed – when it’s not being ignored all together.

Glenn Hughes, in conversation, is as expansive as his own strikingly multi-faceted career.

While I’ve quite enjoyed most of Sebastian Bach’s solo records, and ‘Give ‘Em Hell’ is no exception, I voice the same annoyance with each one.

The Beatles never recorded a studio version of “The Hippy Hippy Shake,” instead using the obscure Chan Romero barnburner to rev up early live audiences.

Anglo-American outside jazz achieve near-perfect symmetry and empathy when pianist John Escreet expands his trio with the great Evan Parker. You May Also Like: John Escreet – ‘Seismic Shift’ (2022) John Escreet – ‘the epicenter of your dreams’ (2024)

This is what free jazz is all about. Period.

As a multi-disc October set of live recordings from the early 1970s is announced, John Wetton remembers those heady times with King Crimson.

‘Amplified Soul’ is Incognito’s usual great stuff, which qualifies as well above average classic-style soul.

Composed for a forgettable documentary on the 1976 Winter Games, Rick Wakeman’s ‘White Rock’ still offers moments of very real discovery.

The impulse, of course, is to come in expecting the Kinks. To measure it against the Band. After all, the Bootleggers are led by the sons of Dave Davies and Robbie Robertson. You May Also Like: Sonic Beat Records Continues to Boom