Here is “Puma and the Spider Monkey,” an advance single from percussionist Mike Dillon’s upcoming album ‘Mike & Beignet Go to the Zoo.’

The Tonino Miano Trio’s ‘MOSS/Electric’ uses intuitive skills and technical abilities to make interesting music from mixing circuited technology into unplugged jazz.

Here is “The Subtext,” the second advance single from the Kris Davis Trio’s upcoming album ‘Lost In Geneva’. This is what acoustic jazz in the 21st century sounds like when it’s on its game.

Miles Okazaki’s ‘Boomtown’ obliterates easy categorizations because he and his cohorts have both the audacity and wherewithal to make a record like this.

Ottawa-based pianist, composer and bandleader Peter Hum sat down to talk with S. Victor Aaron of Something Else! and opens up about his new album ‘Steps to Redemption.’

There’s no limit to what Lewis can conceive and put into action and ‘Omni’ is yet another major achievement for him and his Quartet.

Here is “Melodian,” a single from the upcoming album ‘Transmission’ by the horn-led funk-soul sextet the Huntertones.

This Hammersmith performance finally fills an important gap in Supertramp’s visual history, capturing the classic lineup at the precise moment they were conquering the world.

The dogged determination of OM can be heard within the steely music they made on ‘Südpol.’

Released 50 years ago this month, ‘Wild Cherry’ built on the success of their chart-topping first single to become a freakingly fine funkfest.