Why ‘Draw the Line’ Signaled the End of Aerosmith’s Blazing First Era
Aerosmith was on an undeniable roll after issuing ‘Toys in the Attic’ and then ‘Rocks.’ All of it came to a crashing halt 45 years ago today.
Aerosmith was on an undeniable roll after issuing ‘Toys in the Attic’ and then ‘Rocks.’ All of it came to a crashing halt 45 years ago today.
Released 25 years ago this week, ‘Open Your Eyes’ ended up as one of Yes’ late-period orphans. It’s time to open your ears.
Issued 50 years ago this week, ‘Fresh’ lived up to its title as Eric Carmen and the Raspberries balanced radio-ready pop with muscled rock reflexes.
Recorded during a hiatus from the Pat Metheny Group, ‘Rejoicing’ offers an underrated one-off diversion alongside Charlie Haden and Billy Higgins.
Released 50 years ago, ‘Guitar Man’ proved that Bread was a lot more mercurial than their soft-rock critics would ever admit.
Structured to mirror his live concerts from the 1975-80 period, ‘Sheik Yerbouti’ is actually one of the classics from Frank Zappa’s “rock” canon.
Mamas Gun closed out this five-song collection with “Saint Maria,” dedicated to the patron saint of teenaged women and victims of sexual assault.
Far from a reinvention, ‘Music From Another Dimension’ arrived 10 years ago this week as another rehash of ideas from some of Aerosmith’s weakest records.
Released 15 years ago this week, Levon Helm’s ‘Dirt Farmer’ was so determinedly rustic that it made the Band sound like sleek electronica.
I’d never heard anything like ‘Never Mind the Bollocks, Here’s the Sex Pistols’ when it arrived 45 years ago today. My parents hoped they never would again.