Why the Doors Blew Everyone’s Mind (Again) With ‘L.A. Woman’
The Doors largely returned to their roots 55 years ago this week with ‘L.A. Woman,’ a no-frills blues-rock platter where every single song is a showstopper.
The Doors largely returned to their roots 55 years ago this week with ‘L.A. Woman,’ a no-frills blues-rock platter where every single song is a showstopper.
Frank Zappa’s ‘Joe’s Garage’ is a great introduction into the quantum sonics of one of the 20th century’s greatest composers.
Released 55 years ago this month, the instantly familiar ‘Mud Slide Slim and the Blue Horizon’ meant James Taylor wouldn’t go down as a one-shot wonder.
Released 20 years ago this month, David Gilmour’s ‘On An Island’ reconnected with an early Pink Floyd sound – and gave us a road map to ‘The Endless River.’
Bluegrass, I like. Styx’s Tommy Shaw, I like. But together? You couldn’t help but wonder, 15 years ago, if ‘The Great Divide’ would even work – but it did.
Mike Keneally’s chief idiom is progressive rock, but his restless creativity leads to guitar solos that shape shift. That’s why I can listen to him all day long.
Released 45 years ago, ’80/81′ visits “out” material and more straight-ahead jazz, with a healthy introduction to Pat Metheny’s idea of “folk jazz.”
Director Richard Lester may have been successful in capturing the Beatles’ charisma in ‘Help!,’ but Mike Tiano notes that film isn’t without its issues.
Released 60 years ago this week, ‘Turn! Turn! Turn!’ captured both the political and musical climate of the era. It also confirmed the Byrds’ ascension.
Mike Tiano argues that the often-overlooked ‘Help!’ film is a lively reminder of why the Beatles were, and remain, a positive and lasting phenomenon.