Joseph Yun joined Preston Frazier to discuss his debut, subsequent live dates as a leader, and plans for future projects with the legendary David Benoit.

Toto’s first album of new material in seven years defied expectations by opening with a title song that was thrillingly difficult to classify.

For this festival set performed in Italy ‘Live In Florence,’ Otomo Yoshihide, his guitar and his turntables match wits with Chris Pitsiokos with his alto saxophone and his electronics.

The John Scofield Trio’s ‘Swallow Tales’ shows that Steve Swallow songs are the sound of quality modern jazz, even with a small band playing in no-nonsense bop style.

Walter Becker’s ’11 Tracks of Whack’ outtake “The Dopest Cut / Down In the Bottom” is another treat for Steely Dan fans that shouldn’t go unnoticed.

Christopher Bono’s ‘Nous III” is infused with such a long list of idiom influences – from post-rock and ambient to Neo-Shamanism and free jazz – that it defies classification.

As other members of Chicago stepped back from writing songs, or stepped out on their own for solo careers, Bill Champlin stepped up.

Seth Walker’s new single “We Got This” reminds us that we’re going to come out of this, despite the fog of uncertainty we’ve been faced with for months now.

Duotrio’s ‘In the Bright and Deep’ is an enjoyable outing, one that like its too-brief solos leaves the listener looking forward to more.

Bluey might owe much of his mannerisms to George Benson, but the Incognito linchpin’s main stock-in-trade has always been his grooves.