Chicago “One More Day” from ‘Chicago 18’ (1986): Saturdays in the Park
“One More Day” is an appropriate ending for an album that likewise had some good, some bad, but overall represents a dated version of Chicago.
“One More Day” is an appropriate ending for an album that likewise had some good, some bad, but overall represents a dated version of Chicago.
As post-bop dates go, ‘Battle Lines’ a fine example of the form. This is in no small part because Steve Fidyk knows the style and the tradition.
Billy Corgan released his solo debut 15 years ago this week, while simultaneously announcing that he was getting back together with the Smashing Pumpkins.
Sounding like a long-lost Big Star gem, the Successful Failures’ “This Girl” has all the essential markings of a summer hit single.
‘Stanley Clarke Band Featuring Hiromi’ reminded us 10 years ago this week that the bassist extraordinaire could still deliver substantial jazz fusion.
The original version of this Geoff Downes / Trevor Horn composition offers one of my favorite vocals from Yes’ departed third frontman Benoit David.
Released 10 years ago today, ‘Red Dog Speaks’ was a tribute to Elvin Bishop’s tool of the trade, a cherry red 1959 Gibson ES-345.
Despite its title, this album finds Ed Roth completely at home while performing piano-focused updates of songs by Deep Purple, Lou Reed and Pink Floyd.
As we struggle with a pandemic and, especially, the aftermath of protests sparked by George Floyd’s murder, time has seemingly caught up with Paula Cole.
David Foster designed 1986’s ‘Chicago 18’ to be our introduction to Jason Scheff, but Bill Champlin continued his emergence as a force to be reckoned with.