Yes, “Believe Again” from ‘Heaven and Earth’ (2014): YESterdays
The last Yes studio project to date has a lot going for it, yet fails to reach the heights expected of the world’s greatest progressive rock band.
The last Yes studio project to date has a lot going for it, yet fails to reach the heights expected of the world’s greatest progressive rock band.
Hervé Perez’s ‘PLGD’ is made for ears thirsty for completely new sounds, even for those ears who think they’ve heard it all.
Rachel Therrien, the rising trumpet and flugelhorn player, joins Ross Boissoneau to discuss Archie Shepp, Freddie Hubbard and Woody Shaw, among others.
A melodic hybrid of Swedish folk/jazz-rock, Henrik Cederblom’s ‘Zobop’ serves as a much-needed musical life jacket.
Jason Scheff does a lot better delivering songs emotionally when he writes or co-writes them. Chicago’s “What Kind of Man Would I Be?” is a perfect example.
Released 40 years ago this week, ‘Drama’ served as a bridge between Yes’ ’70s-era prog sound and the approachable prog-pop from the decade to follow.
Music has always been a pick-me-up elixir, and the new Matt Wilson album arrives just in time. Right now, we can all use a ‘Hug!’
Julee Johnson’s “So on Top of the World” marries a bubbly disco beat to a simple and steady pop rock finish that is impossible to resist.
The refreshingly direct, melodic and consistently satisfying ‘Unify’ should put Adam Miller on any guitar enthusiast’s radar screen.
Hard rocking songs from Toto are not uncommon, but “Taint You World” ups the game for a band with already high standards.