David Garfield, “Sir Charles” from ‘Stretchin’ Outside the Box’ (2020): One Track Mind
The last thing jazz enthusiasts have any right to ask for is new music from the prolific David Garfield. But this single is just the musical medicine we need.
The last thing jazz enthusiasts have any right to ask for is new music from the prolific David Garfield. But this single is just the musical medicine we need.
Here is the video premiere of saxophonist Max Bessesen’s “Mayhem,” from his upcoming album ‘Trouble.’
The last Yes studio project to date has a lot going for it, yet fails to reach the heights expected of the world’s greatest progressive rock band.
Hervé Perez’s ‘PLGD’ is made for ears thirsty for completely new sounds, even for those ears who think they’ve heard it all.
Rachel Therrien, the rising trumpet and flugelhorn player, joins Ross Boissoneau to discuss Archie Shepp, Freddie Hubbard and Woody Shaw, among others.
A melodic hybrid of Swedish folk/jazz-rock, Henrik Cederblom’s ‘Zobop’ serves as a much-needed musical life jacket.
Jason Scheff does a lot better delivering songs emotionally when he writes or co-writes them. Chicago’s “What Kind of Man Would I Be?” is a perfect example.
Released 40 years ago this week, ‘Drama’ served as a bridge between Yes’ ’70s-era prog sound and the approachable prog-pop from the decade to follow.
Music has always been a pick-me-up elixir, and the new Matt Wilson album arrives just in time. Right now, we can all use a ‘Hug!’
Julee Johnson’s “So on Top of the World” marries a bubbly disco beat to a simple and steady pop rock finish that is impossible to resist.