It’s amazing to me that we’re still talking about the band so many years later, even if it’s because R.E.M. has called it quits.

The latest incarnation for bassist Tony Levin, best known for his work with King Crimson and Peter Gabriel, is as part of a fearless new trio album with guitarist David Torn and Yes drummer Alan White. Part prog, part free-form improvisational music, part noise rock, Levin Torn White brings inRead More

In the winter of last year, Chick Corea and Stefano Bollani performed at the famed Umbria Jazz Festival in Bollani’s home country of Italy, with no other instrumentation beyond two pianos positioned facing each other You May Also Like: Chick Corea (1941-2021): An Appreciation Chick Corea – ‘The Montreux Years’Read More

As much as I wanted to argue with the smaller ambitions of Ramsey Lewis’ Taking Another Look,’ in the end, it was simply too ingratiating.

I like a good guitar solo as much as the next guy, but given a choice between a display of fretboard pyrotechnics vs. something with a little more soul, I’ll always gravitate to the latter. You May Also Like: Pat Metheny, “You Are” from ‘From This Place’ (2019): One TrackRead More

Only a band like the Mekons could make something like Ancient and Modern, this whipsawing triumph of country contemplation and righteous, guitar-banging indignation, work so completely. After all, that’s their story. You May Also Like: My Chemical Romance Transcended Modern Rock With ‘Three Cheers For Sweet Revenge’ The Baron FourRead More

There is often a West Coast cool this recording, thanks largely to the smoothly energetic phrasings of vibraphonist Dave Shank. That’s not to say, however, that Soundproof doesn’t have its moments of fiery interplay You May Also Like: Dave Stryker – Eight Track II (2016)

Blues records used to routinely sound like this: Loose and fun, almost anarchic in their pursuit of nothing more than good-time joy and real-time emotion. You May Also Like: How Pee Wee Ellis Finally Stepped Into the Spotlight With ‘Blues Mission’

Occasionally I’ll come across a record that sounds very pleasing to me and then realize that the music falls outside my usual areas of interest. Like, for instance, this new one by Florencia Ruiz that I’ve been listening to a lot in the last few days. You May Also Like:Read More

Alyssa Graham’s “High Time,” this melancholy remake, transforms a familiar Grateful Dead song from 1970 into a scorching tale of hope replaced by regret. You May Also Like: ‘Burning Questions’ Found Graham Parker Still Angry, If No Longer Young