Phillip Golub’s microtonal-based ‘Partisan Ship’ is wildly ambitious, but the ambitions are realized.

Released 50 years ago today, ‘Rocks’ is considered by some people to be the best Aerosmith album – and for good reason.

Bobby Broom’s new tribute to Sonny Rollins is a living document of influence in motion, where gratitude has finally taken form as sound.

Chris Potter’s ‘Alive With Ghosts Today’ shows the superior art that is produced when when the fault lines in vintage American music are blurred.

Here is the advance single “Disparate Chase” from the exciting, upcoming duet album from Patricia Brennan & Sylvie Courvoisier, ‘Talamanti.’

With ‘Live at Jazz at Lincoln Center, Catherine Russell dtreats history as a living language rather than a museum artifact.

When Pat Metheny and Lyle Mays’ ‘As Falls Wichita, So Falls Wichita Falls’ arrived 45 years ago this month, it sounded like nothing else in my record collection.

‘Creative Courage Trouncing Career Cowardice’ and ‘Mirror Dimensions’ are fine specimens of the unfiltered, raw free jazz that drummer Kikanju Baku does like few others.

Recorded in a single day, Alex Wintz’s ‘Collage’ lives up to its title, capturing a band that sounds both spontaneous and deeply road-tested.

The Daniel Bennett Group’s 11th album features ever-inventive interpretations of songs by Joni Mitchell, Horace Silver, Wes Montgomery, Lennon and McCartney, among others.