Why R.E.M.’s ‘Live at the Olympia’ Showed They Were Back
The post-Bill Berry R.E.M. seemed less solid in its artistic footing, making me wonder if the end was near.
The post-Bill Berry R.E.M. seemed less solid in its artistic footing, making me wonder if the end was near.
Released 30 years ago this month, the Smithereens’ ’11’ is defined by haystacks of penetrating hooks and in-the-pocket musicianship.
Or: The Dangers of a Self-Education in Popular Culture.
Released 45 years ago today, ‘Streetlife Serenade’ arrived at a time when Billy Joel was more singer-songwriter than stadium-filling showman.

As frontman David Lee Roth celebrates his 65th birthday today, we return to a handful of Van Halen favorites.
I’ve seen concerts with skilled musicianship, but for the total package – spectacle, performance and passion – Iron Maiden can’t be beat.
Released 15 years ago today, Tom Waits’ ‘Real Gone’ is like your favorite pair of jeans: well-worn, full of character and hard to improve upon.

Isildurs Bane and Peter Hammill’s ‘In Amazonia’ reminds us that music can still investigate new dimensions.

Three albums in, ‘Go Deep’ shows that Richard Turgeon still has something to say – both musically and lyrically.

The Embryos’ ‘Open The Kimono +3’ is a must-have studio project for those who enjoy inventive yet obtainable pop-rock songs.