Over the years, Robert Fripp has developed his own legend within King Crimson, both has its only continuous member over the decades and for his famously eccentric stage presence. You May Also Like: Why King Crimson’s Biggest Hit LP Was ‘So Fully Formed, But Also So Unusual’

Deep Purple’s return to form was sparked by a rare period of downtime for the always-touring group, something that gave them an opportunity to reconnect with their muse — without the pressures of a deadline. You May Also Like: No related posts.

A release date hasn’t been set for the new remaster of Emerson Lake and Palmer’s Live in Germany, recorded on June 24, 1997 at Munich’s Tollwood Festival, but here’s a free download to tide you over. You May Also Like: No related posts.

We caught up with Steve Babb and Fred Schendel as they completed work on a new edition of ‘Inconsolable Secret’ to talk about the evolution of Glass Hammer.

A more ruminative effort than Sanguine Hum’s well-regarded 2010 debut, The Weight of the World is post-prog in both the most “post” and the most “prog” sense of the words. You May Also Like: Peter Hum – ‘Ordinary Heroes’ (2020)

Since King Crimson went on an extended hiatus in 2009, Adrian Belew — both with his power trio and with the Crimson ProjeKCt — has worked to keep the group’s legacy before concert goers. That doesn’t mean he’s always faithful to the originals. You May Also Like: No related posts.

While much has rightly been made of the Moody Blues’ prog-defining successes around the turn of the 1970s, a newly released concert performance contextualizes later hits like this one — which in its own way broke new ground. You May Also Like: The Moody Blues – ‘Sur la mer’ (1988):Read More

Deep Purple’s new studio project Now What?! features an overt tribute to Jon Lord in the touching, waltz-timed “Above and Beyond.” But it’s not the only moment that reminds Ian Paice of the band’s late founding keyboardist. You May Also Like: No related posts.

Ray Wilson had the bad luck to follow Phil Collins in Genesis, producing a lone studio effort in 1997 that remains their last.

Genesis’ 1980s-era transition from producer David Hentschel — who oversaw four studio albums beginning with 1976’s A Trick of the Tail — had to do with an abiding passion for the thunderous drum sound of Led Zeppelin’s John Bonham. You May Also Like: No related posts.