Mike Tiano explores how a subsequent update on the title track of Yes’ masterpiece ‘Close to the Edge’ happened – and why it matters.

Spencer Elliott’s ‘SE3’ journeys into different genres, mixes things up then transforms into music that sounds familiar yet has new vibes.

Jimmy Haslip’s taste runs the gamut, from jazz to rock and even to long-ago pop stars. So getting him to narrow things down was quite a challenge.

Ben Craven has created a great big progressive-rock epic, smack dab in the midst of our very modern, rather silly ‘Masked Singer’ world.

Joe Bailey joins Preston Frazier to discuss his dark and violent new H.H. Holmes-themed studio project, ‘Devil in the White City.’

Marillion returned 15 years ago this week with a pleasantly unexpected follow up to the epic, widely lauded ‘Marbles.’

Reel-to-reel tapes containing this nearly lost ’70s-era gem from Chicago-based Apocalypse were recently found by Michael Salvatori in his attic.

Star People’s 20-year-old long-lost third album ‘Black Tie & Tales’ has finally arrived from their self-proclaimed 11th Dimension home base.

Jethro Tull was trying to create a pomposity-popping prog-rock caricature. What they ended up with 50 years ago today was a triumph of the form.

Preston Frazier caught up with Mark Anthony K to discuss the end of Projekt Gemineye’s ‘In the Year 3073’ trilogy.