Yes, “And You and I” from ‘Close to the Edge’ (1972): YESterdays
The opening title track on ‘Close to the Edge’ is longer, but “And You and I” may truly be Yes at the peak of its powers.
The opening title track on ‘Close to the Edge’ is longer, but “And You and I” may truly be Yes at the peak of its powers.
“Questions 67 & 68,” from 1969’s ‘Chicago Transit Authority,’ is an early glimpse into the genius that is Robert Lamm.

George Walker Petit joined Preston Frazier for a Something Else! Sitdown to discuss his journey to ‘Emergence.’

Jake Hertzog’s ‘Well Lit Shadow’ is perfectly cast, as it delivers the unexpected and leaves the listener aching to hear more.
A high water mark for Yes, the title track from 1972’s ‘Close to the Edge’ was the result of a slightly different approach.
Is “Heart of the Sunrise” about the power of the sun – or being lost in a city? Whatever the concept, this represents Yes at the peak of their powers.
Up until ‘Toto IV,’ the vast majority of Toto ballads had been written by David Paich. Steve Lukather’s “I Won’t Hold You Back” changed the paradigm.
Yes’ “Mood for a Day” probably isn’t the first Steve Howe solo guitar composition that comes to mind – but maybe it should be.

M.A. Bakker’s jazz-rock debut boasts the expert musicianship of a by-gone era, and a vivid lyrical imagery that gives it a fiction novel feel.
“The Fish (Schindleria Praematurus),” from Yes’ 1971 album Fragile, is a fitting contribution from the late, great Chris Squire.