This Hammersmith performance finally fills an important gap in Supertramp’s visual history, capturing the classic lineup at the precise moment they were conquering the world.

What makes Yes’ ‘Aurora’ compelling is not that it recreates Yes’ past, but that the album acknowledges what came before while moving forward.

Returning as an expanded reissue, ‘Songbook’ found Allen Toussaint explaining America to itself, one song at a time.

The Grammy-nominated Paul Kahn’s ‘Willingness’ feels less like a comeback and more like a gathering of stories, of players, of time itself.

Bobby Broom’s new tribute to Sonny Rollins is a living document of influence in motion, where gratitude has finally taken form as sound.

With ‘Live at Jazz at Lincoln Center, Catherine Russell dtreats history as a living language rather than a museum artifact.

Recorded in a single day, Alex Wintz’s ‘Collage’ lives up to its title, capturing a band that sounds both spontaneous and deeply road-tested.

Dennis Atlas brings in Steve Lukather and other Toto bandmates but his outstanding solo album ‘Principle’ succeeds because it never loses its center.

Edward Simon’s ‘Venezuela: Latin American Songbook Vol. 2’ features intimate, unhurried and deeply grounded music that breathes with the cadence of memory.

Ben Rosenblum Nebula Project’s ‘The Longest Way Round’ plays like a passport filled to capacity, moving seamlessly through genres and rhythms.