Bryan Adams Finally Established His Own Identity With ‘Cuts Like a Knife’
Released today in 1983 amid a surge of New Wave, Bryan Adams’ third album proved there will always be an audience for real music recorded by real people.
Released today in 1983 amid a surge of New Wave, Bryan Adams’ third album proved there will always be an audience for real music recorded by real people.
Geoff Downes joined us to discuss the Buggles’ “Video Killed the Radio Star,” which arrived 40 years ago today on ‘The Age of Plastic.’
If ‘Chicago 17’ had been released by another artist, I may have liked it more.

Tol-Puddle Martyrs’ fine and interesting ‘Brainfade’ is commercial enough for the masses, but cool enough to march to its own cadence.

Matthew Milia’s ‘Alone at St. Hugo’ often recalls rootsier versions of Big Star and Teenage Fanclub, but with a wholly personal touch.

Nick Frater’s ‘Full Fathom Freight-Train’ pulls all the right levers when it comes to capturing the essence of ’70s pop rock.
The latest in a parade of Paul McCartney live projects arrived 10 years ago today with some memorable surprises.

Five years ago, Neal Morse blended every element of his muse into one all-encompassing solo triumph.
Something special happened to Bryan Adams 35 years ago this week. Actually – two special things.
Chicago isn’t breaking any new ground, but “Love Me Tomorrow” is still stronger than the music of their contemporaries.