Robert Earl Keen, “Footprints in the Snow” from Happy Prisoner (2015): One Track Mind
Robert Earl Keen’s take on Bill Monroe’s “Footprintw in the Snow” is this the best kind of cover song — timeless but personal.

Robert Earl Keen’s take on Bill Monroe’s “Footprintw in the Snow” is this the best kind of cover song — timeless but personal.

UK guitar session vet Ray Russell gets back in touch with his trash-jazz side in this advance stream from the upcoming ‘Celestial Squid,’ a collaboration with Henry Kaiser.

‘Freedom Highway Complete’ makes viscerally clear that the Staple Singers, though they’d moved far afield of gospel, could still rattle the back pews.

The Jackson Browne-produced “Mohammed’s Radio” helped introduce Warren Zevon — with a key assist from Lindsey Buckingam and Stevie Nicks.

“Beryl” reminds us of why Mark Knopfler became famous in the first place – even as it seems to retrace the steps that led him away from that fame.

When I heard the Big Sexy’s theme song of comedian J-L Cauvin, I was intrigued. Figuring out who actually performed it was another matter.

Here is a review of David Philips’ pretty, ethereal number “Angel” from his upcoming album ‘If I Had Wings.’

Lundbom’s original tune “The Bottle” is a good indicator that there’s no let up from Big Five Chord in Jeremiah from their previous five records.

Here is an early listen to the new psychedelic fusion supergroup DRKWAV (John Medeski, Skerik, Adam Deitch), a stream of the track “Darkwave.”

Here is a review of Chris Lightcap’s Bigmouth’s “Epicenter,” the title track from the jazz supergroup’s upcoming new album.