Yeah sure, it was written for the whole Giants Stadium thing, but “Wrecking Ball” can certainly be seen in the broader context: that the passage of time is something we can’t do a whole lot about, so we might as well make the most out of it You May AlsoRead More

DJ-manufactured dance/electronica/trance stuff isn’t usually my cup of tea, but maybe it’s the lack of good melodies to go along with the grooves. That’s the special advantage of Black And Tan Records’ “miX&dorp” party remixes of blues You May Also Like: ElectroBluesSociety featuring Boo Boo Davis, “What’s Going On” (2021):Read More

It’s tempting to think that Nelson’s 1972 flip-off single “Garden Party” — written after the former teen popstar was booed off the stage at Madison Square Garden, he says, for daring to play some of his newer stuff — was the end of the road. But Nelson, in fact, wasRead More

There’s rage, desperation, and resignation, all of which are distilled into this fine, fine, ending to Darkness On The Edge Of Town. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

Crisp, perfectly modulated, utterly suave and precisely integrated, the sound on this Steely Dan record set new standards.

Magnolia Memoir has been described, and beautifully so, as Fiona Apple meets the Killers with a dash of the Clash — and that’s a good start. You May Also Like: Why Supertramp’s ‘Crime of the Century’ Still ‘Has a Wonderful Feel to It’

What do the following artists have in common: Rickie Lee Jones, Natalie Merchant, Lori Mckenna, The Sundays, Bjork, Kate Bush, Ani DiFranco and Dar Williams? Each one, on first listen, made the rest of my world momentarily drop away. This is no joke. Of course, the first would have beenRead More

This English group combines alt-rock, world-music polyrhythms and chamber pop into an amalgam that sounds like David Byrne sitting in with Philip Glass. You May Also Like: John Edwards, Evan Parker, John Russell + others – Making Rooms (2016) Bjork’s Vocal-Focused ‘Medulla’ is Still Filled With Countless Surprises How theRead More

I might have stated this a time or two before on this space, but the future of jazz as a living, breathing, expanding music form is in the hands of the twenty and thirtysomethings who grew up on Bjork, Radiohead and Oasis You May Also Like: No related posts.

If you know anything about Lyle Lovett, the tongue-firmly-in-cheek title of his forthcoming release — his last for Curb Records, the only label he’s ever recorded for — will come as no surprise. You May Also Like: Lyle Lovett and his Large Band, July 23, 2016: Shows I’ll Never Forget