There are a lot of underground country connections to explore with this song. First off, it’s based on a 2007 incident in which Texas music legend Billy Joe Shaver shot a man at a bar You May Also Like: Billy Joe Shaver, Aug. 17, 2016: Shows I’ll Never Forget
Ellis Marsalis would have had a sweeping impact as a musical innovator and longtime educator even if he hadn’t parented a series of famous jazz-playing sons.
Sacramento, CA-based experimental guitarist Ross Hammond has been making records since 1999, and his latest one Adored features his Quartet of himself, Vinny Golia on saxophones, Alex Cline on drums and Steuart Liebig on electric bass. You May Also Like: Ross Hammond and Kevin Corcoran – ‘Music For Lighthouses 2’Read More
This new instrumental is interesting because Steve Smith showed up just as Journey took a turn in the late 1970s from its more fusion-informed early period toward a platinum-selling arena-rock formula. You May Also Like: No related posts.
In 2010, bassist extraordinaire William Parker quietly released an album of recordings called Uncle Joe’s Spirit House that put a different spin on organ jazz. You May Also Like: Brian Charette – ‘Power From The Air’ (2021) Brian Charette – Once & Future (2016)
Julian “Cannonball” Adderley is the undisputed leader on this date — the big-hearted, soul-lifting center of every song. But the proper focus here might just be on keyboardist Joe Zawinul You May Also Like: Cannonball Adderley – ‘Poppin’ in Paris: Live at L’Olympia 1972′ (2024) ‘Elegant People: A History ofRead More
The Clash once had an album called Combat Rock, but William A. Thompson’s combat music called Baghdad Music Journal (2006) was hardly a figurative statement You May Also Like: Linda and Richard Thompson, “The Great Valerio” (1974): One Track Mind
Credit Justin Townes Earle for refusing to stick with the tried and true, even after 2010’s ‘Harlem River Blues’ shot to No. 50 on the Billboard charts.
All in all, Shooter Jennings’ surprising return to country with ‘Family Man’ is a rousing success.
On April 22, Jean-Baptiste Frederic Isidor “Toots” Thielemans turns 90 years old. Four weeks before that comes a look back on one of the richest and yet disregarded career in jazz music, Yesterday & Today. You May Also Like: Eliane Elias Confidently Expanded Her Main Influences on ‘Bossa Nova Stories’
