Paul McCartney had always been cuffed around for the times when he got too cute or — worse, really — too domestic. Yet, until the 1980s, he’d always possessed an unerring sense of hitmaking magic. You May Also Like: No related posts.

With a couple of rock solid trio records for ECM Records under her belt, the jazz pianist from Bonn, Germany undertakes something a little different for her third go around with the storied label. You May Also Like: Julia Biel – ‘Black and White Volume 1’ (2020) Marcin Wasilewski TrioRead More

Now here’s an album I’ve been hearing about for years, but never actually heard. Rarer than a Bigfoot sighting, The Ones! (Gear Fab Records), which was initially called Volume One and pressed on the Ashwood House label in 1966 You May Also Like: The Remains – The Remains (1966): OnRead More

One aspect of art that can bring endless inspiration is the phenomenon of our changing reaction to a piece over time. Maybe there was little or no resonance when the work was first introduced. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

Something clicked with Bobby Whitlock connected with Eric Clapton, and their combined voices — as singers, and as writers — fired the blast-furnace of anguish and lust that was Layla. You May Also Like: ‘All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs’ by Kenneth Womack andRead More

Edward Ricart and Nick Millevoi are guitarists who have staked their musical careers on the experimental fringes of metal and jazz You May Also Like: Nick Millevoi – Desertion (2016)

Here’s the setup: A self-pitying tale about a promising life wasted at the onset of middle age having chance encounter with an old flame who became rich and famous. You May Also Like: Steely Dan Sunday: “Paging Audrey [Demo]” (2008) Walter Becker, “Hard Up Case (Live at Slim’s 1995)” (2024):Read More

For all the times that “all-star” dates have let us down, the fault of a basic incompatibility that transcends anyone’s inherent fame, Things Are Getting Better features a pairing that utterly works. You May Also Like: Cannonball Adderley – ‘Poppin’ in Paris: Live at L’Olympia 1972′ (2024) Joe Jackson’s RainRead More

The Trinidad-born Etienne Charles plays with a knifing, jazz-focused intensity, but inside a layered, rhythmically complex atmosphere that makes Creole Soul anything but the same old straight-ahead fare. You May Also Like: David Garfield, “Sir Charles” from ‘Stretchin’ Outside the Box’ (2020): One Track Mind Charles Rumback – ‘Cadillac Turns’Read More

As Daft Punk’s “Get Lucky” became the duo’s first UK charttopper — not to mention the most-streamed song in the history of Spotify — we returned to Tron Legacy You May Also Like: LCD Soundsystem, Aug. 5, 2016: Shows I’ll Never Forget