With so many major releases typically timed go on sale to take advantage of the holiday shopping season, you’d think that most of the choicest music of any given year are records issued during the September-November timeframe. You May Also Like: No related posts.
Vangelis is that rarest of soundtrack artists, one who can create not just involving themes but complete musical worlds that stand apart from the films.
When Christine McVie started ruminating about a reunion with Fleetwood Mac, after making a rare appearance with her former band in London, fans weren’t the only ones shocked. So was Mick Fleetwood. You May Also Like: No related posts.
Probably the most rock-oriented track from Metheny’s early catalog (we’ll have to wait for Zero Tolerance For Silence or Imaginary Day to hear something like this again), “American Garage” definitely had me cranking up the volume. You May Also Like: Why Pat Metheny’s ‘New Chautauqua’ Still Provides an Important RefugeRead More
David Paich has been involved with his share of million-selling projects, from Michael Jackson’s Thriller to Boz Scaggs’ Silk Degrees to Toto’s IV. There’s a similar atmosphere surrounding Nathan East’s forthcoming first-ever solo studio effort You May Also Like: Toto’s David Paich on His Solo Debut, ‘Forgotten Toys’: Something Else!Read More
The highlights were many for Adam Lambert in 2013, from his on-going guest appearances on Glee to a hit single with Niles Rodgers and Avicii. You May Also Like: No related posts.
Craig Chaquico helped build the ’70s sound of Jefferson Starship, keyed on Marty Balin’s suave balladry, then joined Mickey Thomas in steering the group toward the pop charts. First, though, they rocked a little. You May Also Like: Marty Stuart, April 7, 2017: Shows I’ll Never Forget
Roger Glover has, over his storied career, worked with a number of legends — from Ritchie Blackmore and David Coverdale to Jon Lord and Ian Gillan. None perhaps touched him like Ronnie James Dio. You May Also Like: No related posts.
“The End” serves as more than a mere final track on the Beatles’ 1969 album ‘Abbey Road.’
A rare interview with Charlie Watts finds him ruminating on what makes the Rolling Stones work, five decades in — and his own good fortune to have been there with them for so long. You May Also Like: How ‘Love is Strong’ Grew Into a Stone-Cold Rolling Stones Classic
