‘Creative Courage Trouncing Career Cowardice’ and ‘Mirror Dimensions’ are fine specimens of the unfiltered, raw free jazz that drummer Kikanju Baku does like few others.

Recorded in a single day, Alex Wintz’s ‘Collage’ lives up to its title, capturing a band that sounds both spontaneous and deeply road-tested.

The Daniel Bennett Group’s 11th album features ever-inventive interpretations of songs by Joni Mitchell, Horace Silver, Wes Montgomery, Lennon and McCartney, among others.

‘Always Ever’ is an unaltered transfer of ideas from the fertile mind of Alister Spence straight to tape.

Having established himself as a top-flight sessionist, bandleader and composer, Billy Mohler reveals that all of those talents translates well onto the road with ‘Live In Europe.’

The Doors largely returned to their roots 55 years ago this week with ‘L.A. Woman,’ a no-frills blues-rock platter where every single song is a showstopper.

Dennis Atlas brings in Steve Lukather and other Toto bandmates but his outstanding solo album ‘Principle’ succeeds because it never loses its center.

Guido Spannocchi’s ‘Kammermusik’ avoids cliches by presenting a new blended sound. Yet there’s a sense of solace in our currently unpredictable world.

‘Fragments: The Complete 1969 Salle Pleyel Concerts’ an historically important document of four giants pushing jazz out to its very limits.

Taking us back to an era before the digital age, Don Sainte-Johnn’s new book reminds everyone how exciting and important radio once was.