The Beatles, “Bad Boy” from Past Masters (1965): Deep Beatles
Like the Beatles’ other covers, Larry Williams’ “Bad Boy” reveals their roots: In this case, rhythm and blues.
Like the Beatles’ other covers, Larry Williams’ “Bad Boy” reveals their roots: In this case, rhythm and blues.
“She Knows the Devil” seems to be meant as nothing more than good rock-funk fun. If that’s the case, this Toto song accomplished its mission.
With the singularly outsized saxophone and clarinet personality of Mat Walerian in the mix for ‘Sonic Fiction,’ Matthew Shipp has found a plenty good justification for going back to a quartet.
Chicago’s update of this old Duke Ellington favorite showed their versatility, and their willingness to try anything.

‘Zero’ is another one of those ‘pure’ Matthew Shipp solo piano records where there’s nothing in between the depths of his soul and your ears.

The direct punk-blues of the French one-man-band Chicken Diamond never gets old, and Diamond’s fifth long player Skeleton Coast is just as fresh and violent as the other four LP’s. That’s right, there are still You May Also Like: Diamond Hands – ‘Diamond Hands’ (2006; 2020 reissue) Steve Hackett, “InRead More

I always regarded Walter Becker as a self-effacing musical genius. This rough take on one of his compositions that wasn’t even deemed good enough to finish only affirms that conviction about him.
While it’s good, Yes’ Steve Howe-played and -produced “Masquerade” seems like an unusual song to receive a Grammy nomination.

Even in this solo ‘piano’ setting, Cain finds ways to leverage technology: the quality organically-conceived music of Meditations was created with a little high-tech assistance.

‘Standard Time’ launched Wings guitarist Laurence Juber’s highly respected career as a sophisticated yet graceful finger-style solo performer.