The underrated ‘Flavors of Entanglement,’ issued 10 years ago today, found Alanis Morissette in a moment of fearless introspection. Critics be damned.

Released 10 years ago this month, Avishai Cohen’s ‘Gently Disturbed’ made the case for a modern jazz trio – but from the bassist’s perspective.

If there were any doubts about Toto’s future, they were resoundingly dispelled with the opening song on 1995’s ‘Tambu.’

‘Blow Your Mind’ doesn’t sound anything like what you might expect from someone who did a farewell tour not so long ago. This, in fact, is Wilko Johnson near his best.

It’s a shame this wonderful, mostly acoustic jazzy bonus cut from the late Terry Kath didn’t find itself on ‘Chicago X.’

It’s always a good indication that the music is working the way the artists intend for it to work when you struggle to pigeonhole it but can easily get a firm grasp of its emotional impact. Syrinx Effect ‘s ‘A Sky You Could Strike A Match On’ does just that.

Brownout’s instrumental explorations into the music of Public Enemy manage to tell a compelling, socially engaged story without using words.

Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

Bart and the Bedazzled are like a cool combination of ’70s pop-singer Stephen Bishop and ’80s bands like the Style Council.

Simple, nuanced and damn near perfect, Judith Owen’s ‘RedisCOVERed’ meets and occasionally exceeds all expectations.