Robert Lamm’s first contribution to ‘Chicago XI’ is a quiet and sensitive look at a day in the life of a middle-aged, lonely beat cop.

‘They Only Come Out at Night’ finds the Edgar Winter Group mining family-friendly pop possibilities while keeping their raw-edged integrity intact.

Carl Palmer discusses how ELP Legacy is boldly refashioning the Emerson Lake and Palmer catalog, and what the future holds for Asia after John Wetton’s death.

‘Experiments On Human Subjects’ is artful haymaking from Evil Genius. The tuba is having more fun than is probably legally allowed and if you’re predisposed for adventurous listening, you’ll have illegal fun too.

The finished version of “Dangerous,” released on Yes’ 1991 album ‘Union,’ stands in stark contrast to Steve Howe’s original demo.

Solitaire Miles is taking a quick break from her Susie Blue persona to dig back into her jazz roots.

Included among the array of oddities on AM radio in 1968 was Four Jacks and a Jill’s inventive, weirdly archaic “Master Jack.”

The song itself is a good one. However, there is one big problem with Chicago’s “Till the End of Time.”

In the beginning, Donovan was often dismissed as a minor-league Bob Dylan. But he proved critics wrong with ‘Sunshine Superman.’

This series has often reflected on Steve Lukather’s depth as a balladeer. On Toto’s “I Will Remember,” he once again shines brightly.