Chicago, “Along Comes a Woman” from ‘Chicago 17’ (1984): Saturdays in the Park
“Along Comes a Woman” is another incredible convergence of talent and musical skill between David Foster and Chicago. Unfortunately, change loomed.
“Along Comes a Woman” is another incredible convergence of talent and musical skill between David Foster and Chicago. Unfortunately, change loomed.

‘Our Place On the Wheel’ is Ross Hammond still in full-on rural mode, only this time with some really good help.
Is Annihilator’s ‘Ballistic, Sadistic’ a little one-note? Sure. But it’s a very good note.
David Cross and an all-star cast of King Crimson and Yes alumni build something brilliant from a collaboration with the late Peter Banks.
Here is the streaming premiere of “Batida” by the re-formed Chicago Underground Quartet.
Satoko Fujii doesn’t play an instrument in her orchestra; she conducts it. Still, there is hardly a more accurate manifestation of her genius artistry.
This is one of the strongest covers on 2002’s ‘Through the Looking Glass.’ Too bad Toto didn’t consider an all-instrumental album.
Susanne Ortner’s journey to New Orleans was partly due to her seeking “Sehnsucht,” a German word for yearning or wistful longing.
State Cows, often referred to as yacht rock, is an example of why musical labels are such a disservice.
The thing that still leaves me scratching my head: How come Chicago never released “Remember the Feeling” as a single?