A quick glance at the credits on Britsh ex-pat keyboardist John Escreet’s new album The Age We Live In indicates a knack for bringing together some of today’s most prominent forward thinking New York jazz musicians: David Binney, Wayne Krantz, Marcus Gilmore, Tim Lefebvre, and so on. But listening toRead More

‘Southern Independent Vol. 1 and Vol. 2’ are a pretty good representation of what’s out there in country and related genres that you’re not hearing on the radio.

Kate Bush didn’t make much of a stateside splash, despite achieving fame 25 years ago in Britain. So remakes like this one from Johanna and the Dusty Floor, brilliant though they may be, likely resonate with most listeners as if they were brand new. You May Also Like: ElectroBluesSociety feat.Read More

German pianist Christian Pabst is still studying (at the European Jazz Master’s Programme at the Conservatorium van Amsterdam), but his new CD with his longtime trio shows that he’s already learned a lot. Maybe it only seems that way because of the rapport he’s developed over the years with drummerRead More

You keep waiting for Lindsey Buckingham, the old rebel, to soften into middle-aged acceptance, to conform. This isn’t that record. Credit Buckingham for never trading true emotion for sentiment. Seeds We Sow is as hard eyed as it is musically ambitious You May Also Like: How Lindsey Buckingham Balanced ItRead More

Derek Sherinian is a keyboardist. It’s worth repeating, under your breath, as the forthcoming guitar-heavy ‘Oceana’ spins.

Joe Moss starts in an eyeball-deep groove on Drive Time: Live at Chans, hitting the same gravy-dripped chord for a full minute on the opening “Black Boots.” You May Also Like: Linda and Richard Thompson, “The Great Valerio” (1974): One Track Mind Brownout – Presents Brown Sabbath Vol. II (2016)

There’s something odd I noticed about this record from the opening moments: there’s a piano on it. Why is that so bizarre you ask? You May Also Like: Chad Taylor Trio – ‘The Daily Biological’ (2020) Tom Tallitsch – ‘Message’ (2021)

An album that starts with this sparks-flying slide, on a song called “Death Rattle,” isn’t fooling around. This, friends, will never be confused with fern-bar blues. That’s obvious, even before Cook opens his mouth to sing — in a voice that’s one part gravel, one part Jack Black and oneRead More

Making up tunes and whiling away the hours with an acoustic guitar on a roof terrace of a flat in an exotic locale like Barcelona, Spain seems like a dream way for one to spend their days. You May Also Like: David Philips – Get Along (2018) David Philips –Read More