For the conclusion of our 2-part conversation with creative jazz drummer and composer Devin Gray, the Maine-born musician speaks of his increasing ties to Europe and how the fertile Berlin music scene environment gave him new ways to flourish. S. VICTOR AARON: So now I want to shift over toRead More

Here is Part 1 of the SER interview with drummer/composer/bandleader Devin Gray, a passionate, hungry musician who’s both as intensely introspective as he is outgoing and engaging.

The Grammy-nominated Paul Kahn’s ‘Willingness’ feels less like a comeback and more like a gathering of stories, of players, of time itself.

Bobby Broom’s new tribute to Sonny Rollins is a living document of influence in motion, where gratitude has finally taken form as sound.

Chris Potter’s ‘Alive With Ghosts Today’ shows the superior art that is produced when when the fault lines in vintage American music are blurred.

Here is the advance single “Disparate Chase” from the exciting, upcoming duet album from Patricia Brennan & Sylvie Courvoisier, ‘Talamanti.’

With ‘Live at Jazz at Lincoln Center, Catherine Russell dtreats history as a living language rather than a museum artifact.

When Pat Metheny and Lyle Mays’ ‘As Falls Wichita, So Falls Wichita Falls’ arrived 45 years ago this month, it sounded like nothing else in my record collection.

Recorded in a single day, Alex Wintz’s ‘Collage’ lives up to its title, capturing a band that sounds both spontaneous and deeply road-tested.

The Daniel Bennett Group’s 11th album features ever-inventive interpretations of songs by Joni Mitchell, Horace Silver, Wes Montgomery, Lennon and McCartney, among others.