Ivo Perelman ha s meeting of the minds with drummer Whit Dickey in exploring what is possible on a tenor saxophone thanks to the innovations of his forebears.

Here’s a review of the last song from Nick Hempton’s ‘Catch and Release’ series. “Change For A Dollar” features his base quartet plus tenorman Jerry Weldon.

The tenor ace Tallitsch delivers another mainstream jazz outing with a stellar supporting cast that’s dynamic, majestic and yes, a boatload of fun.

New musical combinations can offer incredibly special moments. As Davey Payne, Terry Day and others performed, I realized: This was such an evening.

Here is a review of John Patitucci’s guitar-dominant quartet’s debut, ‘Brooklyn,’ a freshly cast reconnect back to the bass extraordinaire’s roots.

Andy Galore’s ‘Out and About’ works on many levels, from its strong compositions to its production and playing.

Sammy Stein sits down with saxophonist Colin Webster to discuss those unlikely situations where you find the greatest musical connections.

Les McCann’s free-form soul-jazz experiment ‘Invitation to Openness’ is the sound of someone loosing himself from the bonds of expectation.

As a vehicle for this promising woodwinds talent from Poland Mat Walerian, his encounter with Matthew Shipp on ‘Live at Okuden’ makes good on that promise.

JD Allen’s “A Throng of Millions Can Be One,” just one of many standout moments on ‘Bloom,’ feels like the birth of a new jazz hymn.