Here is a review of a uniquely experimental set of electro-acoustic improvisations between Denny Zeitlin and George March, ‘Riding The Moment.’

Renato D’Aiello’s ‘Satori’ surprised me in all the best ways good music can, and I warmed more to it with each play – and there have been many.

Ivo Perelman ha s meeting of the minds with drummer Whit Dickey in exploring what is possible on a tenor saxophone thanks to the innovations of his forebears.

Here’s a review of the last song from Nick Hempton’s ‘Catch and Release’ series. “Change For A Dollar” features his base quartet plus tenorman Jerry Weldon.

When Pat Metheny and Lyle Mays’ ‘As Falls Wichita, So Falls Wichita Falls’ arrived in May 1981, it sounded like nothing else in my record collection.

The tenor ace Tallitsch delivers another mainstream jazz outing with a stellar supporting cast that’s dynamic, majestic and yes, a boatload of fun.

New musical combinations can offer incredibly special moments. As Davey Payne, Terry Day and others performed, I realized: This was such an evening.

Here is a review of John Patitucci’s guitar-dominant quartet’s debut, ‘Brooklyn,’ a freshly cast reconnect back to the bass extraordinaire’s roots.

Andy Galore’s ‘Out and About’ works on many levels, from its strong compositions to its production and playing.

Sammy Stein sits down with saxophonist Colin Webster to discuss those unlikely situations where you find the greatest musical connections.