As is always the case on a Claudio Scolari Project album, the looseness in their approach on ‘Cosmology’ guarantees a freshness and fluidity in the music that refuses to be stifled by rigid structures.

Bob Salmieri Bastarduna Quintet’s ‘And Mama Was a Belly Dancer’ is appealing and incisive, tapping into connections felt by many people with many cultures.

Big Monitors’ lively cover of “O’Neal’s Porch” is all about the exhilaration of freedom coupled with the majesty of tradition. That’s probably the best way to honor William Parker.

The combination of progressive rock, jazz and classical elements found on Corrado Rustici’s ‘Interfulgent’ is original, engaging and wondrous.

Giancarlo Romani’s ‘Naif’ has nine original compositions, and they create nine paintings of different emotions, life experiences and ideas.

There is a dreamlike quality to the sound which Erodoto Project creates on the forthcoming ‘Mythos – Metamorphosis,’ and a sensuality.

This isn’t neo-prog. Instead, Mangala Vallis propel the music forward with a vital, condensed and nuanced sound on ‘Voices.’

Samuele Strufaldi and Tommaso Rosati’s ‘1.15 K’ is fascinating not just because of the colliding of two musical worlds, but the creativity that went into it.

Using high-level musicianship and a great sense of harmony and rhythm to carry out one instantaneous idea after another is the trademark of Claudio Scolari Project.

Enjoyable, well-honed and expertly delivered, Erodoto Project’s ‘Molon Labe’ is a really engaging recording.