I know of at least two things people from Finland excel in: cell phones and forward-thinking jazz. You May Also Like: Andrew Barker + Jon Irabagon Duo – ‘Anemone’ (2020) Sound Etiquette – Sound Etiquette (2016) Pearring Sound – ‘Nothing But Time’ (2019)

A dizzying mixture of muscular, electric guitar-driven jazz ensemble playing and these intriguingly angular Balkan textures, this energetic follow up to the Slivovitz septet’s Moonjune Records debut Hubris builds on that success, even as it adds different musical shadings. See, this isn’t your typical chamber-rock; at times, it threatens —Read More

by Tom Johnson I have to be forgiven if I refer to this album as sounding like Frisell “getting back to his roots.” His roots, to me, are not necessarily his original sound but where I picked up with this great guitarist — the era in the early to mid-1990sRead More

The toughest part about writing this review has been trying to decide if I should file it under the jazz category or the fusion jazz category. And whenever that conundrum happens, it’s usually a good sign for the record. You May Also Like: Makaya McCraven – ‘Universal Beings’ (2018)

by Mark Saleski Back in the dark ages (read: before the Internet) I spent a fair amount of time searching out new music by paying very close attention to the listings of my local public and classical radio stations. You May Also Like: How Bennie Maupin Left Mwandishi Behind onRead More

‘Levin Torn White’ ain’t for the weak, but it’s lethal combination of brawn and brains makes it the release of the year.

Here’s a look back at the Top 10 stories from last month on SomethingElseReviews.com, based on page views from our readers. No. 10 — THE MEKONS – ANCIENT AND MODERN: Only a band like the Mekons could make something like Ancient and Modern, this whipsawing triumph of country contemplation andRead More

‘All We Are Saying’ feels so connective because of guitarist Bill Frisell’s willingness to simply let things happen – to accept life as it goes.

by Tom Johnson In many ways, I am still no closer to being able to put words to my feelings for this album. Instead, I find myself forcing words upon it, all of which are rendered meaningless because they really don’t describe this album, only things that have come beforeRead More

A sharper direction on this new release, not to mention an all-star backing cast, helps Stanley Jordon overcome many of the stereotypes that have dogged him since rising to fame in the early 1980s. Back then, Jordan was riding a wave of attention over his use of a eye-poppingly fastRead More