New Standard Quintet lives up to its name, time and again, not by resurrecting age-old tracks but by trying to fashion its own rules for approaching original jazz music. You May Also Like: Laurence Juber – Standard Time (1982; 2018 reissue) Pearcy / Gratzmiller Jazz Quintet – ‘Over the Edge’Read More

This was a rare thing: an album of guitar music where the guitar isn’t really the point. Put a different way, it’s the ideas that are given the focus, not the chops. You May Also Like: Marc Ribot’s Ceramic Dog – ‘Connection’ (2023) Bill Frisell – Music IS (2018)

As one of the more talked about fusion records of last year, Naked Truth’s Shizaru put four established maestros from jazz, rock and avant garde words in the same studio, resulting in an album that pulled in creative streams from all of these music worlds into a purposeful, distinctive andRead More

Bob Belden has been in the thick of major jazz recordings issued or reissued in the last quarter century, but his name has rarely been presented in large, bright fonts. You May Also Like: Miles Davis’ ‘Bitches Brew’ Broke Every Rule: ‘An Art Form Unto Itself’

As one of the three guitarists of the fleeting, all-star T.J. Kirk quartet in the mid-90s, Will Bernard’s career since then hadn’t generated the buzz that his former Kirk colleague Charlie Hunter does, but that doesn’t mean he’s been any less productive or creative. You May Also Like: Will BernardRead More

Over time I’ve found that the genius of the singular compositional style of Thelonious Monk manifests itself better the further away it is played from its original bebop context. You May Also Like: Gregory Lewis, with Marc Ribot – Organ Monk Blue (2018)

Typically featuring a one-man band, EP-Deluxe Edition by the Tektonics was always destined to rise or fall based on the creative stimulus of Adam De Lucia. You May Also Like: No related posts.

When Henry Cole sought to find a singular style of music that would appeal to the diverse tastes of his local Old St. Juan music scene, his search was over when he discovered the pioneering Afrobeat sounds of Fela Kuti. You May Also Like: Paula Cole – ‘Revolution’ (2019)

Stanley Clarke joins us to discuss how he became the first bassist to headline tours and craft gold-selling solo projects.

Floratone to Bill Frisell is a lot like what the Fireman is to Paul McCartney: a way to break outside of usual comfort areas.