A stylistic tour de force, this self-titled trio effort manages to take in many of jazz music’s most notable influences, even tosses in a dash of Pacific island flavor, but it never falls into the rote imitative traps of so many of today’s more traditionalist recordings. You May Also Like:Read More

Remember last month when I said I have more examples of weird-assed trios coming up? Here’s another one. Inspired by the long running Ray Anderson-led BassDrumBone trio, Brainkiller has Brian Allen manning the trombone and Hernan Hecht on drums, but substitutes the bass for keyboards and effects by Jacob Koller.Read More

Tough times call for angry protest records, for political records, for records that produce rueful smiles. Ry Cooder has done that and more with “No Banker Left Behind,” a tart treatise on the recent financial meltdown You May Also Like: Ry Cooder’s ‘The UFO Has Landed’ Finally Put His AmazingRead More

by Mark Saleski From swing (“Bopsolete”) to smokey blues (and what self-respecting organ ensemble would sidestep the blues? Check out “Deep Blue,” killer guitar solo by Peter Bernstein on this one), this group knows how to have a good time. The title track gets in that groove and burns. AndRead More

Three of the most gifted improvisers in free jazz today released this week a studio follow-up from their well-received 2009 live debut. As fellow giants of the NYC downtown scene, William Parker, Craig Taborn and Gerald Cleaver know each well musically and personally (as noted before, Cleaver and Taborn goRead More

You might say that top-notch jazz pianist Orrin Evans has become a fixture here at SER. It all got started four years ago when we noted his participation in Robin Eubanks’ EB3 unit that made the phenomenal double-CD Live, Vol. 1 of 2007. Early last year we salivated over Evans’Read More

Opening with the old-world charm of an accordian and trumpet, at once lonesome and timeless, Brooklyn-based Katie Costello’s “Isn’t It Lovely” slips into your head like a thief. The whole song has a similar cunning, never going too far yet always beckoning You May Also Like: Animal Logic, “Can YouRead More

If you were tasked with listing the influences of JazzGuitaristPatMetheny™, some good entries might be Four and More (Miles Davis), Ornette Coleman’s Something Else!!! (Sorry, couldn’t resist), and Smokin’ At The Half Note by the Wynton Kelly Trio with Wes Montgomery. You May Also Like: Pat Metheny – ‘Dream Box’Read More

Their Ocean, ambient then soulful, is one of those amalgams that sounds instantly recognizable, yet completely new. The Chicago-based psychedelic R&B/indie rock group has described itself as “a cross between Hall and Oates and Arcade Fire, if they were friends with the Soulquarians.” As funny as that sounds, it’s aboutRead More

Pretty much for the last twenty years, there have been two types of Monty Alexander records: one that features exuberant, evocative mainstream New York jazz and one that showcases Alexander’s unique Jamaican-styled jazz. Earlier this year, the Kingston piano great released the straight-up jazz trio live chronicles Uplift, a tremendousRead More