by Mark Saleski Saxophonist Dave Rempis’ co-conspirator on drums, Frank Rosaly, lays down some solid grooves and textures. Nothing here is quite as chaotic as say, Interstellar Space, but the music isn’t exactly subdued either. Rempis displays some impressive extended technique on tunes like “How to Cross When Bridges AreRead More

From a small town up in Idaho a fourteen year old kid picks up a guitar and ten years later he’s already done so much with that instrument and his voice, but eager to do more. You May Also Like: No related posts.

The music of Wadada Leo Smith, no matter the setting, is spiritual, mesmerizing, purposeful and often dense. We found out back toward the end of ’09 just how dense his music can be You May Also Like: Wadada Leo Smith – Najwa (2017) Wadada Leo Smith and Orange Wave ElectricRead More

There is this deeply personal texture to A Lifetime, a redemptive 10-track journey through love’s rocky terrain. French jazz-pop singer-songwriter Dawn Harden wrote or co-wrote, with pianist Patrick Pernet, all but one of the songs, giving the record a lasting resonance. She starts with “Traces,” a lovelorn tale of aRead More

Since Tom Cora’s tragic passing in 1998, there might not have been a more adventurous cellist on this planet than Erik Friedlander. You May Also Like: George Crotty Trio – ‘Chronotope’ (2022) Tim Berne – ‘inSOMNIA’ (2011): On Second Thought

by Mark Saleski I’m not one to quote Wikipedia, but this time around it makes perfect sense: “Smooth jazz is a sub-genre of jazz which is heavily influenced by R&B, funk, rock, and pop music styles (separately, or, in any combination).” This is an interesting definition because it highlights theRead More

Too often, it was like Jon Anderson didn’t want to make a solo record that sounded too much like Yes. As interesting as these sideroads no doubt were, they gave few clues to how his own voice fit into the wider topography of the band. You May Also Like: JonRead More

by Mark Saleski Normally, I’m not a particularly skeptical person. But when I see things in album credits like “hair,” “makeup,” and “dresses,” it’s tough to not tighten up a little. The good news is that Leonhart and Escoffery can bring it. She has a voice that manages to seemRead More

Three of the larger figures in the downtown New York avant jazz scene – Jim Black, Nels Cline and Tim Berne – join forces.

Over the course of the striking, stripped-down Medicine, former Detroit autoworker Solomon King returns to that moment when the blues moved inexorably away from the uplift that defined gospel music, and ultimately toward rock ‘n’ roll and then hip hop. You May Also Like: How B.B. King Left Us WithRead More