Wadada Leo Smith, Peter Erskine, Brian Blade: S. Victor Aaron’s Best of 2017 (Part 4 of 4, Fusion Jazz)
The baker’s dozen in this Best of 2017 list reveals that fusion jazz has expanded and diversified way past its ‘Bitches Brew’-era beginnings.
The baker’s dozen in this Best of 2017 list reveals that fusion jazz has expanded and diversified way past its ‘Bitches Brew’-era beginnings.

Released 10 years ago this month, ‘Rain’ confirmed that it was time to start paying attention to Joe Jackson again.
Mixing and matching experimental edges with bouts of moodiness, the Temptations stage more exceptional performances throughout ‘All Directions.’

Fifty years ago, the Crazy World of Arthur Brown’s “Fire” had to be just about the coolest thing you’d ever seen – and for parents, probably one of the scariest.
“Ain’t It Blue” was written in the spirit of Chicago’s early work and would easily fit on any of their classic, pre-Caribou Ranch records.

None of the great talent assembled here gets stretched near their limits for this Desertion Trio excursion, but this diversion is for an altogether different mood.

Jack Bruce and Robin Trower’s ‘Seven Moons’ arrived a decade ago this month, proving there was still a place in this world for vintage-sounding psychedelic blues-rock.

Put together by Mighty Shamrocks veteran Mickey Stephens, the Poor Blue’s ‘Wasteground’ is a rootsy, autobiographical tour de force.
Here’s the part of the annual Best of 2017 lists that’s the most fun to pull together.

The Moody Blues have an unusual hold over fans, with many believing the group has mystical, otherworldly powers. And maybe they do.