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Billy Preston, “Outa-Space” (1972): One Track Mind

A massive reissue project from Apple Records had me digging back through the old Billy Preston sides. None is more titanically funky, and lastingly influential, than “Outa-Space,” with its grease-fire groove and afro-shaking new clavinet sound. “Outa-Space” is not to be confused with his similarly named No. 4 hit ofRead More

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Half Notes: The Ray Anderson-Marty Ehrlich Quartet – Hear You Say: Live In Willisau (2010)

by S. Victor Aaron Even on an ode to a fallen friend (“Portrait Of Leroy Jenkins”) and the chromatic ballad (“My Wish”) they pour on the intensity, but get downright giddy on harder tunes like “Hot Crab Pot,” a song that boils over with as much intensity as the titleRead More

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From The Stacks: Pico's 2010 Stacks, Volume 6

by S. Victor Aaron Here we are at Volume 6, and while there’s still a few dozen CD’s that are worthy of mention sitting on my shelves or lying somewhere on the floor, this is likely going to be the last installment of “Pico’s 2010 Stacks.” A post-Thanksgiving version coveringRead More

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Half Notes: Eugene Marlow's Heritage Ensemble – Celebrations (2010)

by S. Victor Aaron So often in recent years we’ve heard jazz played in a traditional Jewish style, aka “Klezmer” jazz. Arranger/composer and keyboardist Eugene Marlow puts this idea in reverse: taking traditional Jewish songs and playing them in mainstream, Afro-Cuban, Brazilian and even contemporary jazz styles. The second HeritageRead More

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Half Notes: Ken Thomson And Slow/Fast – It Would Be Easier If (2010)

by S. Victor Aaron Like Jason Stein, Gutbucket co-founder Ken Thomson is a bass clarinetist — he’s an alto saxophonist, too — and both like to play along the margins of jazz, but Thomson’s conception of music freely spills over into other styles as well. His latest project, Ken ThomsonRead More

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The Friday Morning Listen: Bruce Springsteen – Darkness on the Edge of Town (1978)

By Mark Saleski Clearly I have been spending an awful lot of time with Darkness on the Edge of Town this week. Too much time maybe? What does that mean? It’s an interesting question and, as it turns out, it doesn’t have meaning…at least not for me. Last weekend, meRead More

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Half Notes: Holly Hofmann and Bill Cunliffe – Three's Company (2010)

by S. Victor Aaron Although she’s made bop-oriented records for over twenty years, Holly Hoffmann is not as well known as she probably should be. A flautist of the first order, she’s the logical heir to Frank Wess’ legacy. Bill Cunliffe is accomplished in the jazz world himself, having wonRead More

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Movies: Bruce Springsteen – The Promise: Houston '78 Bootleg (2010)

by Mark Saleski The Darkness on the Edge of Town tour has taken on a sort of mythic quality, mostly because there has been scant video evidence. This “bootleg” tape unearthed by Camp Springsteen confirms what fans lucky enough to have seen one of the shows have known all along:Read More

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Alex Hirsch – Naturally (2009)

In a time of buttoned-down, procedural rock records, Alex Hirsch is still admirably working toward one of those old-school Grand Statements that defies category. Hirsch, whose dad is television and Broadway star Judd Hirsch of “Taxi” fame, brilliantly races through musical subgenres – and personas – on Naturally. That makesRead More

Vinyl

Movies: Bruce Springsteen – The Promise: The making of Darkness on the Edge of Town (2010)

by Mark Saleski It is perhaps too easy to dismiss the work of celebrities. In the case of Bruce Springsteen, there has been much vitriol expressed over his “supposed” blue collar leanings, as if success can (no…must) wipe out your roots. If you look back at this documentary on theRead More