by Nick DeRiso Jazz guitarist Al Di Meola, the former teen prodigy in Return to Forever, accomplishes an uncommon thing here, making something out of a cover attempt at the Beatles’ “Strawberry Fields Forever.” You May Also Like: ‘Danny Says: A Documentary on the Life and Times of Danny Fields’Read More

When Faith No More disbanded in 1998, they released Who Cares A Lot, one of those annoying best-ofs that fans hate — all the hits they already owned in one form or another You May Also Like: No related posts.

by Nick DeRiso Forgive me if I thought this was going to be trumpeter Nicholas Payton’s further ruminations on the turbulent brilliance of Miles Davis’ Bitches Brew. Instead, Payton really means it. You May Also Like: Nicholas Payton – ‘Smoke Sessions’ (2021)

by Mark Saleski It’s safe to say that when I was a kid, the idea of sitting down and listening to a blues record never entered my mind. Not very often anyway. Looking back on it now, this seems crazy. You May Also Like: ElectroBluesSociety Featuring Boo Boo Davis –Read More

Posi-Tone Records, the label that has done more than anyone else lately in putting out records by the brightest new talent in mainstream and modern jazz, introduced the pianist and composer Noah Haidu to the world last week. Slipstream went on sale March 22, a debut that doesn’t present mereRead More

So you like XTC, right? So why don’t you own Andy Partridge’s Fuzzy Warbles? You May Also Like: No related posts.

by Nick DeRiso Upset over a world that wronged him one too many times, Troy Lindsey begins his bumpy Ride Across the Sun in a foul mood. Luckily, as is so often the case, a good woman can make all the difference. You May Also Like: Lindsey Buckingham’s Live atRead More

Steely Dan explore the idea of people succumbing to their worst tendencies again and again, a theme that will get many return visits.

by Nick DeRiso Maceo Parker — leader of the ferocious JB Horns, James Brown‘s band and musical backbone back in the day — once put it all in perspective, introducing a song from the stage: “We like to play two percent jazz … and 98 percent funky stuff.” You MayRead More

Yesterday, Atlanta, GA bassist Michael Feinberg put out his second album, With Many Hands, a part of a quiet revolution taking place in jazz today. The twenty-somethings like Feinberg and his band who are plying their trade in this hallowed American institution of jazz didn’t grow up listening to onlyRead More