At the end of last weekend, I watched Fellini’s 8 1/2. Turns out that might not have been the best idea for a Sunday evening. You May Also Like: Joe Jackson’s Rain underscored a complete modern-era return to form Why Joe Jackson’s Retro ‘Body and Soul’ Said So Much AboutRead More

Tough times call for angry protest records, for political records, for records that produce rueful smiles. Ry Cooder has done that and more with “No Banker Left Behind,” a tart treatise on the recent financial meltdown You May Also Like: Ry Cooder’s ‘The UFO Has Landed’ Finally Put His AmazingRead More

by Mark Saleski From swing (“Bopsolete”) to smokey blues (and what self-respecting organ ensemble would sidestep the blues? Check out “Deep Blue,” killer guitar solo by Peter Bernstein on this one), this group knows how to have a good time. The title track gets in that groove and burns. AndRead More

Discover why Adrian Belew likes working with younger musicians, and how he’d like to push Crimson’s double-trio format even further out

Three of the most gifted improvisers in free jazz today released this week a studio follow-up from their well-received 2009 live debut. As fellow giants of the NYC downtown scene, William Parker, Craig Taborn and Gerald Cleaver know each well musically and personally (as noted before, Cleaver and Taborn goRead More

by Tom Johnson Bob Marley’s son did this one without the Melody Makers to make an album less about being reggae and more about music. Ziggy seems to find some influence in the Dave Matthews Band, as many songs feature passages that could easily have been played by the DMBRead More

We talked to Adrian Belew during an extended hiatus for King Crimson. But it’s not like he’d been sitting idly by.

An underappreciated Dizzy Gillespie record on Verve, includes some s-s-smokin’ thoughts of “Con Alma” — two, in fact. You May Also Like: Dizzy Gillespie and Friends – Concert of the Century: A Tribute to Charlie Parker (2016) ‘Hot House: The Complete Jazz at Massey Hall Recordings’ (2023) Wes Montgomery withRead More

You might say that top-notch jazz pianist Orrin Evans has become a fixture here at SER. It all got started four years ago when we noted his participation in Robin Eubanks’ EB3 unit that made the phenomenal double-CD Live, Vol. 1 of 2007. Early last year we salivated over Evans’Read More

Opening with the old-world charm of an accordian and trumpet, at once lonesome and timeless, Brooklyn-based Katie Costello’s “Isn’t It Lovely” slips into your head like a thief. The whole song has a similar cunning, never going too far yet always beckoning You May Also Like: Animal Logic, “Can YouRead More