by Mark Saleski I’ve love gamelan music. There’s just something about all of those interlocking instruments. And where should a person go to hear some great and authentic gamelan music? Why Denver, of course! Gamelan Tunas Mekar is a community orchestra based in Denver. They may be a long wayRead More
The last week of July was an occasion of joy and pain for the folk-rock group America. Two days after founding ex-member Dan Peek passed away at the age of 60, America released their first album since 2007’s return-to-form Here And Now. You May Also Like: Stephen Stills & JudyRead More
by Tom Johnson Another slab of envelope-pushing jazz from Craig Taborn, one that relies heavily on the strong improvisatory skills of the band backing his keyboards and piano. You May Also Like: Craig Taborn’s Junk Magic – ‘Compass Confusion’ (2020) Tim Berne’s Hardcell [Berne, Craig Taborn + Tom Rainey] –Read More
Cathy Jean’s In the Remains darts out with an attitude that’s both confessional and confrontational. She can be equal parts check-me-out and get-the-heck-out. You May Also Like: When Jean Luc Ponty Made a Triumphant Return With ‘Life Enigma’
Keb Mo isn’t that kid playing the old blues on the old steel guitar anymore. Instead he often comes off on his new album The Reflection like a pillowy-smooth 1970s-era singer-songwriter You May Also Like: Taj Mahal and Keb’ Mo’ – Tajmo (2017)
Dancing with Duke, the second album as a leader from North Carolina bassist John Brown (Nnenna Freelon), follows the thematic pattern established by his well-received initial recording — a tribute to Art Blakey. But this homage to Ellington explores more interesting territory, in that Blakey’s music has always been associatedRead More
They say everything is bigger in Texas. Waco-born Mace Hibbard cuts an imposing figure, like someone who spent his Friday nights (and perhaps even Saturday afternoons) on the gridiron as a teenager. But to this son of notable Texas trumpet player Dave Hibbard, “big” means the full, dulcet sounds comingRead More
He sings something like Bob Dylan, plays guitar something like Mark Knopfler, but doesn’t fall into easy mimicry of either. Credit a long journey to get here You May Also Like: No related posts.
As a kind of companion piece to “Does This Bus Stop at 82nd St?”, the mood shifts dramatically here, trading all of that romantic positivity for stark reality … or at least a reality whose dark side is winning out. You May Also Like: No related posts.
“Seeds We Sow,” the title track to Lindsey Buckingham’s sixth solo album, due on Sept. 6, is a darkly introspective triumph You May Also Like: How Lindsey Buckingham Balanced It All on the Underrated ‘Gift of Screws’
