by Tom Johnson It isn’t necessarily that blemish was so drastically different than anything David Sylvian had done before. He’d done ambient, both alone and with such visionaries as Holger Czukay and Robert Fripp, and some of it verged on being noise to me. You May Also Like: Mark Papagno:Read More

by Mark Saleski I came very, very late to the Nick Cave game. How late? 2004, and Abattoir Blues/Lyre of Orpheus. That album blew the top of my head clean off. I listened to almost nothing else for a couple of weeks, allowing the music to soak in deeply. InRead More

Going straight from a tribute to one jazz icon right to a tribute to another jazz icon. Ha, and they call themselves a rock band? You May Also Like: Steely Dan, “Carey” (circa 2001): Steely Dan Sunday Steely Dan, “Things I Miss the Most [Live]” (2021): Steely Dan Sunday

Joe Moss starts in an eyeball-deep groove on Drive Time: Live at Chans, hitting the same gravy-dripped chord for a full minute on the opening “Black Boots.” You May Also Like: Linda and Richard Thompson, “The Great Valerio” (1974): One Track Mind Brownout – Presents Brown Sabbath Vol. II (2016)

Among some of my Internet friends, I’m known for being into “obscure” jazz. I suppose this is true, though given the average person’s engagement with the jazz world (face it people, it’s a pretty small number, percentage-wise), the definition of “obscure” is a slippery one. Maybe I just like obscureRead More

by Mark Saleski I can probably count on the fingers of one hand the number of jazz “with strings” records that ‘work’ for me. This is a somewhat mysterious phenomenon as jazz and improvised music is food to me. You May Also Like: Steve Kuhn Trio – ‘To and FromRead More

by Tom Johnson When a band has more than one “best of” in their catalog, it’s usually because one skimped on a portion of the band’s catalog that was really pretty signficant. This one, however, only fills in a few gaps of the previous best-of, Capitol Punishment, while mirroring aRead More

There’s something odd I noticed about this record from the opening moments: there’s a piano on it. Why is that so bizarre you ask? You May Also Like: Chad Taylor Trio – ‘The Daily Biological’ (2020) Tom Tallitsch – ‘Message’ (2021)

For a moment, all you hear is James Westfall, playing a plaintive shape on the piano. Then jazz singer Sasha Masakowski slips in behind him, performing in another tongue – sounding like a passing thought that brings you all the way out of a daydream. You May Also Like: FutureRead More

An album that starts with this sparks-flying slide, on a song called “Death Rattle,” isn’t fooling around. This, friends, will never be confused with fern-bar blues. That’s obvious, even before Cook opens his mouth to sing — in a voice that’s one part gravel, one part Jack Black and oneRead More