by Tom Johnson King Crimson has been a chameleon throughout its four decades of existence, not just shifting to reflect the times but also acting as a sort of quality-assurance agent You May Also Like: No related posts.
by Mark Saleski Why do people hit a musical wall at a certain point in their life? They stop listening to anything put out after their high school (or college) years. Worst of all: they just stop listening. Music is no longer a part of their life. You May AlsoRead More
John Adam’s deeply emotional ‘On the Transmigration of Souls’ is difficult, and not just because it’s a classical operatic piece of the minimalist school.
This double-album set features late-period performances by the Jazz Messengers found years after Art Blakey passed away.
Stan Kenton would have been 100 this year and, in many ways, he’s as misunderstood now as he was in his own time. You May Also Like: 14 Jazz Orchestra, Jazzrausch Bigband + Grand Rapids Jazz Orchestra: Big Bands on Different Paths
When Christy Murphy’s off-kilter sensibility and spare folk-rock jangle mesh, as on the YouTube hit “Single Girl’s Love Song,” her album Feeling Good Looking Good is a merry little distraction. You May Also Like: Leviathan Drummer Gary ‘Roscoe’ Murphy: Something Else! Interview LCD Soundsystem, Aug. 5, 2016: Shows I’ll NeverRead More
Maybe it’s because I was forced to listen to “Is This Love?” way too many times in the late 1980s, but for some reason, I just don’t hold Whitesnake in the same regard as many of my friends of a similar age. You May Also Like: The Dead Daisies –Read More
by Tom Johnson First impressions . . . you know what they say about that. They’re always right. Unless they’re not. You May Also Like: Tony Malaby’s Sabino – ‘The Cave of Winds’ (2022)
It’s been a couple of years since we last heard from pre-eminent jazz rhythmist Jeff “Tain” Watts, when his star-studded engagement Watts was introduced. You May Also Like: Kevin Eubanks – East West Time Line (2017)
Enough with the ‘Silk Degrees’ already. Let’s explore elsewhere in Boz Scaggs’ lengthy catalog.
