Vibraphonist Gary Burton’s entire career as a musician has been about thinking outside the box and exploring new frontiers in jazz music. You May Also Like: No related posts.

In many ways, the initial cuts on Journey’s Eclipse recall the wide-open heavy fusion of the the band’s original Gregg Rolie-era records, a period when guitarist Neal Schon pulled and stretched his muse. At the same time, singer Arnel Pineda possesses a second-act Steve Perry-sounding penchant for soaring expectancy. YouRead More

Endlessly engaging, Michael Wolff was praised by the New York Times for “near impeccable good taste, technical facility and lyrical inventiveness.”

A pioneer as just the third African American woman to make a phonograph recording back in the 1920s, Edith Wilson later fell on hard times — and was reduced to appearing through the mid-’60s (and quite anonymously) in the first Aunt Jemima TV commercials. You May Also Like: No relatedRead More

Sometimes old really is new again. Bela Fleck and the Flecktones existed as a trio for a handful of years after harmonica/pianist Howard Levy left, only to ask consistent fill-in saxophonist Jeff Coffin to join their ranks. You May Also Like: Bela Fleck, Robin McKelle, Delfeayo Marsalis + Others: FiveRead More

Sean Jones does something with No Need To Words” that’s sorely needed: Talk about love in a complete way. Not just the romantic part, or the passionate part (though that’s here, too) but the other parts — the angry parts, the melancholy parts. The part where you thank a parentRead More

Los Lobos guitarist/accordian player and all around musical polyglot David Hidalgo got together with vocalist Mike Halby (Canned Heat, John Mayall’s Bluesbreakers) to create this fantastic chunk ‘o blues. You May Also Like: Los Lobos – ‘Native Sons’ (2021)

Neal Morse, former frontman for Spock’s Beard, joined us for an Something Else! Sitdown in advance of the release of his long-awaited ‘Testimony 2.’

There’s an easy target for this band: All the people who listened to any of the past few Porcupine Tree albums and just couldn’t get enough of Gavin Harrison’s drumming. You May Also Like: Chad Taylor – ‘Myths and Morals’ (2018)

I don’t know if it’s a trend of not, but lately I’ve noticed a lot more unconventional trios in jazz. By “unconventional” I mean without the bass player, and the usual premise I’ve heard for doing this is to allow more freedom. Trying out uncommon configurations is an interesting andRead More