If I have anything to say about technology in this space, it’s usually negative. People who know me are aware of the contradiction: I’ve made my living writing software and spend a lot of time on the Internet, and yet consider myself something of a Luddite. You May Also Like:Read More

New Life arrived amidst much anticipation of something in keeping with drummer Zigaboo Modeliste’s mythically groovetastic tenure with the Meters. And, bless him, I got it. But that wasn’t all. Take the title track. “New Life” doesn’t mimic the expected grease-fire funk of his old band, so much as forcablyRead More

If you’re at all familiar with jazz bassist Marc Johnson you surely know about his classic 1987 album Second Sight (by his group Bass Desires). On that record, Johnson teamed up with Peter Erskine (drums) and the phenomenal guitar duo of Bill Frisell and John Scofield You May Also Like:Read More

When ZZ Top, tearing through “Waiting for the Bus,” howls “have mercy!” in tandem, I’m right there with them. You May Also Like: ZZ Top’s “El Diablo,” “Thunderbird,” “Rough Boy” + Others: Gimme Five

by Mark Saleski Hard rock records (or, records that rock hard) that I have loved all have one thing in common: they cause an almost inexplicable joy inside of me. You May Also Like: Why Todd Rundgren’s ‘Back to the Bars’ Remains So Powerful New York United – ‘New YorkRead More

Annie Dressner’s voice has a twilight poignancy, this majestic loneliness, and nowhere on her forthcoming release Strangers Who Knew Each Others Names is that more true than on its title track. You May Also Like: No related posts.

With nearly 1,800 posts under our belt, we at SER have covered a whole lot of different styles, players and instruments, but based on a cursory search, I haven’t found a single piece where a harpist is the featured musician. We now have that covered: meet Iro Haarla. You MayRead More

Putting together a luxe coffee-table book honoring the city of his birth clearly got Irvin Mayfield in a nostalgic mood. You May Also Like: The Blind Boys of Alabama’s Down in New Orleans added a new musical wrinkle New Orleans at 300: In Search of Jazz

Royal Crescent Mob, a punk-funk quartet from Columbus, Ohio, seemed at the peak of the powers with this, its most cohesive, mature record. So, that was, of course, the end of that. You May Also Like: No related posts.

by Mark Saleski Much like those pointless negative reviews where the writer (read: attacker) has never liked the band in question, I sometimes wonder if maybe it’s just not right to go on about my favorite artists. Let’s face it, I own just about every recording Pat Metheny has everRead More