One more time before … What? Let’s back up a handful of years. At that point, me and TheWife™ had been married for going on ten years and were living out here in the country in our big ‘ole house, working and taking care of my parents You May AlsoRead More
From the first, it seems, guitarist Bill Frisell has sought to synthesize jazz with country and folk themes, and that impulse works to tremendous effect on this deft remake of John Lennon’s “#9 Dream,” from a forthcoming tribute recording You May Also Like: Bill Frisell – Music IS (2018) BillRead More
Growing older has made Nick Lowe grayer, a little quieter, but no less clever, no less relevant, and certainly no less off-handedly absorbing. He is the living, breathing, guitar-playing, Buddy Holly shade-wearing embodiment of the old saw about getting better with age. You May Also Like: East Axis [Matthew Shipp,Read More
by Derrick Lord Faith is a difficult and complicated thing. If you understand that much you likely also realize that even the strongest faith is doomed to eventually be tested by hard times. You May Also Like: The Blind Boys of Alabama’s Down in New Orleans added a new musicalRead More
Somber, but I really like this. Glen Campbell is definitely going out on top.
For Junior Wells, there was just something about working with Buddy Guy. On Hoodoo Man Blues, a spark-filled mid-1960s Chicago blues album, Wells stops on more than one occasion, while letting loose these flying shards of harmonica blasts You May Also Like: John Mayall – ‘Road Show Blues’ (1980; 2022Read More
An ambitious debut featuring seven original titles, George Lernis’ Shapes of Nature is a great new example of how Tony Williams’ legacy continues to play out in jazz. You May Also Like: Herbie Hancock – ‘Maiden Voyage’; Eric Dolphy – ‘Out to Lunch’ (2021 vinyl reissues)
by Mark Saleski When this album arrived in 2003, part of me wanted to say that nothing much had happened since Blood Sugar Sex Magik. But the thought was really closer to “I haven’t gotten off on much of their stuff since BSSM. You May Also Like: When John FruscianteRead More
This tune begins, in its familiar way, with a soaring keyboard signature we’ve all come to associate so fully with Keith Emerson’s opening of Aaron Copland’s “Fanfare for the Common Man,” as interpreted in 1977 by Emerson, Lake and Palmer. You May Also Like: No related posts.
‘Southern Independent Vol. 1 and Vol. 2’ are a pretty good representation of what’s out there in country and related genres that you’re not hearing on the radio.
