It was only about two weeks ago when I last reviewed a contemporary take on Miles Davis’ beautifully pensive “Nardis.” So why again? You May Also Like: Rudresh Mahanthappa – ‘Hero Trio’ (2020)

Jazz legend Chico Hamilton celebrated turning 90 last month — how else? — but issuing another album. With Revelation, the NEA Jazz Master’s 60th project, Hamilton continues to build on a remarkable recording career dating back to 1941. You May Also Like: No related posts.

by Beverly Paterson Operating out of Dallas, Texas, the Exotics and the Esquires were hot stuff on a regional level, with the year 1966 being especially kind to them. You May Also Like: No related posts.

by Tom Johnson Yep, you read that right: Dream Theater surprised their Barcelona, Spain audience in early 2002 with a song-by-song reading of the 1980s metal classic by Metallica, Master Of Puppets. You May Also Like: Metallica’s Remix of “Some Kind of Monster” Finally Fixed What’s Wrong With ‘St. Anger’Read More

Last year’s Opening made me a believer in the trumpet wizardry of one Carol Morgan, who blazed through a set of originals and standards in a small combo without a piano. Her brand new follow-up Blue Glass Music follows the same formula, with perhaps a bit more emphasis on theRead More

Todd Rundgren’s oddball “Love My Way” is perhaps the most perfectly, head-scratchingly reformulated song on ‘(Re)Production.’

Pianist David Paul Mesler and saxophonist Tony Rondolone offer 13 takes on a theme during the appropriately titled Moonsongs, an album perfectly suited for twilight You May Also Like: Harrison Bankhead and Paul de Jong – ‘Freedom’ (2020)

The toughest part about writing this review has been trying to decide if I should file it under the jazz category or the fusion jazz category. And whenever that conundrum happens, it’s usually a good sign for the record. You May Also Like: Makaya McCraven – ‘Universal Beings’ (2018)

Johnny Winter joined us for a discussion on his terrific 2011 album, his biggest successes and biggest regrets – and why he always got in a fight in Dallas.

You hear, for one final time, the promise of Amy Winehouse — if only in the way she can so expertly imitate the memorable phrasing of Dinah Washington. You May Also Like: Jazz Reedist Daniel Bennett on How Musicians Can Thrive In (and After) the Pandemic Age [Part 1 ofRead More