Boasting a Americana twang but also a rough moral sensibility and a cutting way with an image, Darryl Gregory’s Big Texas Sky is probably too edgy for country radio. It’s a shame. You May Also Like: Michael Gregory Jackson – ‘Electric Git Box’ (2022) Wilco’s ‘Sky Blue Sky’ Was aRead More

Steve Smith, like Paul McCartney, has a solo career that’s way more extensive than the higher profile rock band he belonged to for a relatively short period of time, but he’ll always be known as that Journey drummer You May Also Like: Steve Smith: The Albums That Shaped My CareerRead More

Foreigner’s new live album is neither all that bad, nor all that good — probably worth the ticket price at the original concert venue, if you don’t pay too much attention, but instantly forgettable as a home listening experience. You May Also Like: ‘Rockin’ the City of Angels’: Inside DouglasRead More

A gutsy blend of contemplative Evans/Tristano-informed piano excursions and these grease-popping Cuban jams, pianist Gonzalo Rubalcaba’s XXI Century takes us on a journey across time and cultures. You May Also Like: Aruan Ortiz, with Andrew Cyrille + Mauricio Herrera – ‘Inside Rhythmic Falls’ (2020) Matthew Shipp – ‘Codebreaker’ (2021)

We waited eight years for this? A retread of a throw-away track from the Get a Grip album, which for the most part should have been a throw-away itself? You May Also Like: Steven Tyler – We’re All Somebody From Somewhere (2016) Why I’m Still Disappointed With Aerosmith’s ‘Music FromRead More

Full of raw emotion, frank admissions, fun pop asides and memorable guitar gumption, ‘Analog Man’ illustrates all over again just how complicated Joe Walsh always was.

Italian electric bassist Giacomo Merega once again gets together with saxophonist Noah Kaplan and guitarist Marco Cappelli for a set of rhythm-less free form improvisations Watch the Walls Instead. You May Also Like: Noah Jack, “Neighborhood” (2017): One Track Mind Tiger Hatchery – ‘Breathing In the Walls’ (2018) Noah HaiduRead More

Chad Wackerman launched a solo career as a respected jazz-fusion and rock musician after a memorable stint with Frank Zappa.

After being less than impressed with Slash’s last solo album and its parade of guest stars, and being only a marginal fan of Velvet Revolver or Slash’s Snakepit, I didn’t go into Apocalyptic Love with my hopes too high. You May Also Like: No related posts.

Is this going to draw fans from the electronica crowd into Robert Lamm’s Chicago catalog? Hard to say. Piss off the old fans? Likely.