Preston Frazier’s Mid-Year Best of 2014 (Rock, Pop and Jazz): Simon Phillips, Kere Buchanan, Nathan East, Oz Noy, Judith Owen, Toto
Already, we’ve heard so much great stuff from the Toto family tree of music.
Already, we’ve heard so much great stuff from the Toto family tree of music.
An enduringly ornery delight, the Killer still sounds as dangerous as ever.
The appeal of this music is its unbiased diversity and lack of set rules.

Add a blues belter, and this little-heard early-1970s Stooges demo is reborn.

Ian McLagan returns with a boozy swagger, even while examining deep human emotions.
Rarely considered part of the canon, these two albums nevertheless have their moments.

The addition of Alissa White-Gluz leads to one of Arch Enemy’s best overall efforts to date.
A career-defining three-EP set, a stirring comeback, another thrilling head scratcher.

Amendola is an affable, do-it-all drummer with a wicked backbeat.

More than an album, these archival 1987 recordings unfold like a conversation.