Delfeayo Marsalis undertakes his first full-length collaboration with father Ellis, but the star may just be drummer Marvin “Smitty” Smith.

One of Nick Drake’s most haunting songs, “Day is Done” is blessedly free of the overdone production that marred many of his early recordings.

You know him from his work with Madeleine Peyroux, the Dukes of September and Steely Dan. Let’s dig into Jon Herington’s solo career.

Here is a review of Jimmy Greene’s ‘Beautiful Life,’ a hopeful and very personal message sprung from the unspeakable tragedy of Sandy Hook.

One part revelry and one part reverie, Dr. John’s update of Paul McCartney’s “Let ‘Em In” is a highlight on the forthcoming ‘Art of McCartney.’

Here’s an exclusive advance preview of the upcoming album from Kait Dunton’s newly formed trioKAIT.

Lucinda Williams’ gruff slur on “Have Yourself a Merry Little Christmas” conveys just how few times the fates allow us the moments we’d like.

‘Crimen Sonoro’ is a muscular, multicultural fusion jazz from the funky, metal/jazz/hip-hop/mariachi sextet out of Mexico.

A pessimist’s anthem for any era, Leonard Cohen’s “Everybody Knows” never loses its blunt force wisdom.

Mick Jagger’s take on “Waiting on a Friend,” from the Rolling Stones’ newly issued ‘Hampton Coliseum – Live In 1981,’ becomes a character study.